Saturday, October 08, 2011

Premio Nazionale di Poesia “Il Presepe”


L’Associazione Turistica e Culturale “Pro-Pesche” con il patrocinio del Comune di Pesche (IS), indice la 9a edizione del Premio di Poesia “Il Presepe”. Due sezioni: A - Poesia adulti; B - Poesia riservata ai ragazzi fino a 17 anni. Tema: “Il Presepe”. Si partecipa facendo pervenire entro il 30.11.2011, uno o due componimenti inediti in 7 copie, tutte firmate e con nome, cognome, indirizzo, recapito telefonico, eventuale e-mail, al seguente indirizzo: Associazione Turistica e Culturale “Pro-Pesche”, Piazza Roveto - 86090 Pesche (IS). Ai fini della realizzazione dell’antologia, si prega di inviare i testi anche in formato elettronico all’indirizzo propesche_c.letterario@virgilio.it. Per la sezione B va indicata anche la data di nascita. La partecipazione è gratuita. Premi: Sez. A - 1° premio: € 400 e targa; 2° premio: € 200 e targa; 3° premio: € 100 e targa. Sezione B - 1° premio: € 150 e targa; 2° premio: € 100 e targa; 3° premio: € 50 e targa. Premiazione: Pesche, Sala Consiliare del Comune di Pesche in Piazza Don Sante Tommasini, 6.1.2012, ore 16,00. I premiati dovranno ritirare personalmente i premi loro assegnati. Giuria: Amerigo Iannacone (Presidente), Barbara Avicolli, Maria Benedetta Cerro, Giovanna Maj, Giuseppe Napolitano, Marilena Di Lollo (segretaria con diritto di voto). Informazioni, tel. 0865.46.01.30 – 349.6907787, fax: 0865.46.03.63, posta elettronica: propesche_c.letterario@virgilio.it.

Tuesday, October 04, 2011

50 sena mill-mewt tal-Poeta Nazzjonali, DUN KARM PSAILA

Il-ktieb ġdid tal-Mons. Lawrenz Cachia dwar Dun Karm Psaila.

Il-ktejjeb ippubblikat minn Karmenu Mallia biex jitfakkru żewġ anniversarji:
il-50 sena mill-mewt tal-Poeta Nazzjonali u mit-twaqqif tas-Soċjeta' tal-Esperanto f'Malta.

Il-Kappella fejn hu midfun il-Poeta Nazzjonali, f'Ħaż-Żebbuġ.

Il-monument iddedikat lil Dun Karm Psaila fil-Furjana.

Is-sena 2011 qed tfakkar il-50 sena mill-mewt tal-poeta nazzjonali, Dun Karm Psaila.

Huwa twieled fit-18 ta’ Ottubru 1871 u miet fit-13 ta’ Ottubru 1961.

Għaldaqstant bħalissa qed iseħħu bosta inizzjattivi f’rabta ma’ dan l-anniversarju importanti.

  • B'tifkira tal-50 Anniversarju mill-mewt tal-poeta nazzjonali, Dun Karm Psaila, l-Uffiċċju tal-Prim Ministru organizza kunċert fil-Kon-Katidral ta' San Ġwann.
    Il-kunċert, bl-isem 'Tina l-Ħlewwa' sar mill-Kor Għawdxi Laudate Pueri li b'kollox kanta tmien innijiet miktuba minn Dun Karm b'mużika ta' diversi kompożituri Maltin. Il-Kor Laudate Pueri tmexxa mid-direttur tiegħu, Dun George Frendo.
    Fil-kunċert inqraw ukoll siltiet mill-poezija ta' Dun Karm 'Il-Jien u lil Hinn Minnu' u sar diskors mill-Professur Oliver Friggieri biex ifakkar lil Dun Karm.


    Għal din l-okkażjoni tnediet ukoll CD li tinkludi 11-il innu miktub minn Dun Karm fosthom il-poeżija l-Innu ta' Ferħ li ġiet mużikata mill-Professur Joseph Vella, li għamel ukoll l-arranġamenti kollha tal-innijiet li ġew irrekordjati mill-istess Kor Laudate Pueri fil-Bażilika ta' San Ġorġ, Għawdex.

    Preżenti għal din l-okkażjoni kien hemm il-Prim Ministru Lawrence Gonzi, li l-attivita' saret taħt il-Patroċinju tiegħu, l-Arċisqof ta' Malta Pawlu Cremona kif ukoll bosta persuni distinti oħrajn.
  • Fil-Bibljoteka Nazzjonali, il-Belt, bħalissa hemm wirja fuq Dun Karm Psaila.

  • "Dun Karm - il-bniedem wara l-poeta" --- dokumentarju tad-Dipartiment tal-Informazzjoni fuq DVD jinsab għall-bejgħ.

  • "Dun Karm -- Il-Ħajja tal-Poeta Nazzjonali" -- ktieb ġdid fuq Dun Karm tal-Mons. Lawrenz Cachia.

  • Bejn it-13 u t-18 ta’ Ottubru, 2011, il-kappella fejn hu midfun il-Poeta Nazzjonali Dun Karm Psaila fiċ-ċimiterju Qalb ta’ Ġesu, Ħaż-Żebbuġ, se tkun miftuħa bejn id-9am u s-6.30pm. Dawk l-iskejjel u organizzazzjonijiet li jkunu jixtiequ jagħmlu żjara ta’ rispett fl-okkażjoni tal-50 anniversarju mill-mewt ta’ Dun Karm, ikunu jistgħu jagħmlu dan fil-ħinijiet indikati. Huma ppreferuti kuruni/bukketti tar-rand jew batteriji AA biex tibqa’ tixgħel “il-Fjamma ta’ Mħabba” sal-aħħar ta’ din is-sena. Ikun hemm ukoll Ktieb tal-Viżitaturi.

  • Għall-okkażjoni ġie ppubblikat il-ktejjeb bl-isem ta’ ‘Dun Karm u Zamenhof – żewġ ilħna tewmin’, ta’ Karmenu Mallia (Malta Esperanto-Societo, 2011, 24pp. €2).

Din hi traduzzjoni bil-Malti tal-esej li Mallia originarjament kiteb bl-Esperanto u li kien deher fil-ktieb: “ Klaro kaj Elasto” (ed. Iltis, Franza, 2003) flimkien ma’ 20 esej ta’ awturi oħrajn, bħala festschrift lill-awtur esperantista Fernando de Diego f’għeluq it-80 sena tiegħu.

Fih, Mallia jqabbel żewġ poeżiji: waħda ‘Penso Printempa’ (Ħsieb għar-Rebbiegħa) l-unika poeżija li Dun Karm kiteb bl-Esperanto fl-1901, jiġifieri sentejn qabel ma beda l-moviment esperantista f’Malta, u ‘Pluvo’(Xita) ta’ Zamenhof. Dan, is-Soċjetà għamlitu biex flimkien ma’ għaqdiet oħra Maltin tfakkar il-50 sena minn mewt Dun Karm, li b’dil-poeżija tiegħu ħalla l-ewwel dokument esperantista f’Malta, u fl-istess ħin biex tfakkar il-50 sena mit-twaqqif tagħha (1961-2011). Wieħed jista’ jikseb aktar informazzjoni mill-indirizz tal-Malta Esperanto-Societo: maltesper@hotmail.com.

  • ĊELBRAZZJONI DUN KARM - Bħala parti mill-attivitajiet li se jsiru fl-okkażjoni tal-50 sena mill-mewt tal-Poeta Nazzjonali Dun Karm, il-Kunsill Nazzjonali tal-Ktieb se jorganizza ĊELEBRAZZJONI DUN KARM, ġurnata ta’ preżentazzjonijiet varji fil-Lukanda Excelsior il-Furjana, nhar is-Sibt 15 ta’ Ottubru, mid-9.00 a.m. sal-4.00 p.m. F’din l-attività se jintwera filmat esklussiv dwar il-ħajja tal-poeta, jiġu ppreżentati sensiela ta’ vox-pops li nġibdu apposta, ikun hemm diskussjonijiet, poeżiji animati, kanzunetti minn Doreen u Dominic Galea, kif ukoll ikla buffet għal nofs inhar. Żgur li din se tkun okkażjoni unika li kull min għandu għal qalbu l-kultura tagħna m’għandux jitlifha. Għal aktar tagħrif u bookings ikkuntattjaw lis-Sur Joe Debattista fuq: joe.debattista@gov.mt

  • Intant anki l-Għaqda Poeti Maltin se tfakkar lill-Poeta Nazzjonali b’Lejla ta’ Poeżija f’ġieħ Dun Karm Psaila, nhar is-Sibt, 15 ta’ Ottubru, u dan fis-6.30 p.m. Il-post magħżul huwa r-Razzett tal-Markiż Mallia Tabone, fil-Mosta, wara r-Rotunda. Waqt din il-Lejla se jinqraw poeżiji ta’ u dwar il-Poeta Nazzjonali. Ikun hemm ukoll xi interventi ta’ natura bijografika u kritika li jixħtu dawl fuq Dun Karm bħala bniedem u anki bħala kittieb u poeta. Kulħadd hu mistieden u d-dħul hu b’xejn.


Sunday, October 02, 2011

IL-ĦARIFA FIL-POEŻIJA -L-Ewwel Parti:

(Kumment ta’ Patrick Sammut)

Il-21 ta’ Settembru jġib miegħu l-istaġun tal-Ħarifa. Huwa żmien ta’ transizzjoni, bejn l-istaġun jaħraq u niexef tas-Sajf u l-istaġun kiesaħ u li jġib ix-xita miegħu tax-Xitwa. Il-Ħarifa ġġib magħha l-ftuħ tas-sena akkademika u l-ewwel xita (Settembru) u anki x-xhur tar-Rużarju (Ottubru) u tal-Mejtin (Novembru). Bosta poeti għandhom għal qalbhom dan l-istaġun li bħal staġuni oħra jakkwista wkoll tifsiriet simboliċi, u lil xi wħud ifakkarhom f’waqtiet jew ħsus partikolari. Hawnhekk issibu erba' poeżiji ta’ erba' poeti differenti, kollha membri tal-Għaqda Poeti Maltin.

Lil Amanda Busuttil il-Ħarifa tfakkarha fi ħlejjaq ċkejknin bħalma huma l-bebbux li joħroġ jirgħa wara kull ħalba xita. Xi drabi aħna l-bnedmin ngħaddu minn fuqu bla ma nindunaw jew bla ma nagħtu kas li nkunu qridna ħlejqa ċkejkna. Anki l-bebbuxu jħalli marka warajh bla ma nindunaw. Il-poetessa tqabblu ma’ pittur ċkejken.

Għal Carmel G. Cauchi l-Ħarifa tintrabat ma’ dak iż-żmien fil-ħajja tal-bniedem meta dan tal-aħħar ma jibqax żagħżugħ u mimli enerġija. Fih jibqgħu biss it-tifkiriet tar-rebbiegħa/żgħożija. Il-Ħarifa għalhekk hija l-istaġun li jfakkar lill-poeta li t-tmiem tal-ħajja qed joqrob dejjem iktar. Imma, ma ninsewx li anki dan huwa parti mill-ħajja!

Fuq in-naħa l-oħra, għal Charles Mifsud il-Ħarifa ġġib magħha dik iż-żiffa li ilu tant jistenna u tnissel ċertu ferħ fih mal-wasla tagħha. Il-Ħarifa jorbotha ma’ żewġ siġar tipiċi fil-gżejjer tagħna: id-dielja, li tintrabat mas-sajf li għadda (mela ħarsa lura fiż-żmien); u l-punzjetta, li bħal tfakkar li l-istaġun tal-Milied qed joqrob (mela ħarsa ’l quddiem fiż-żmien).

Anki Raymond Grech jiftakar fi ħlejqa ċkejkna li tpassi fuq il-gżejjer tagħna mal-miġja tal-Ħarifa. Dan huwa l-pitirross li jfakkru wkoll fit-tfulija tiegħu. Il-poeta jidentifika ruħu mal-pitirross għax it-tnejn iwasslu t-tama lil min tilef il-ħelsien.

L-EWWEL XITA TAL-BEBBUX

Art xotta, mitluqa

titgħewweb bil-għatx

tas-sajf tas-sulfarini

bil-foga u sħanat.

Wasal Settembru.

Kulħadd jistenna.

Min bil-biza’

li ser negħrqu.

Fi triqtu bebbuxu

ltaqa’ mal-baħar

u dan kien proprju

qtar tax-xita li nġabar!

Mar jgħid lil sħabu

biex jagħmlu festa

jiżfnu bil-weraq

bil-mappa lesta.

Bdew triqithom

lejn dinja ta’ ħdura

li fil-bitħa tagħna

jpinġulna pittura!

Kull fejn jgħaddi bebbuxu

jibqa’ marka,

il-bniedem jibqa’ għaddej

bla jħares u jġibu farka...

U ara taħseb li saret traġedja

ħlief li jgħid li ħammeġ

qiegħ iż-żarbun.

Bebbuxu ċkejken

ibża’ min-nies

agħdirhom ftit,

dawna nies bla qies!

Amanda Busuttil

11.09.2011


STAĠUNI

Ilbieraħ,

f’jum bnazzi tar-rebbiegħa,

imxejt tul in-nixxiegħa

fuq twapet tal-ħaxix

iħaddru mal-pjanura.

Illum

it-twapet tilfu l-ħdura,

mhumiex ħlief tiben niexef

itir ma’ kull buffura.

Xtaqt kieku lejn ilbieraħ

illum interraq lura…

‘Mma nixfet in-nixxiegħa

u dabet ir-rebbiegħa

u s-sajf ġa fl-aħħar siegħa.

U triqti lejn ilbieraħ

ma sibtha xejn ħafifa

… għax qorbot il-ħarifa.

Carmel G. Cauchi

RIESQA Ż-ŻIFFA TAL-ĦARIFA

Tinħass riesqa ħafifa

iż-żiffa tal-Ħarifa!

Qed titliegħeb mal-weraq tal-punzjetta,

li issa għoliet ġmielha

u qiegħda tissindika

fil-btieħi tal-ġirien.

Qiegħda tnaqqar il-weraq mid-dielja,

li issa mingħajr l-għenba,

kważi tilfet sbuħitha,

għax qiegħda titgħarwen.

Qed inħossha mit-tieqa ta’ kamarti,

riesqa lejja,

titbewwes ma’ ħaddejja,

tixtieq tkebbibni fiha,

toftomni mill-ħedla

li mtaqqal biha.

Sa fl-aħħar,

għax kien ili nistenniha,

tinħass riesqa ħafifa,

iż-żiffa tal-Ħarifa,

u jien ninsab kuntent,

nithenna biha.

Charles Mifsud

IL-PITIRROSS

Ħabt' Ottubru fil-ħarifa
lejn Novembru f’San Martin;
wara wkoll ix-xita traxxax
fuq il-ħdura w l-peprin.

Wisq għasafar Malta jpassu
kenn mill-hemm u għall-irdoss.
Psiepes, Bċieċeq u ta’ l-Għana,
magħhom jigi l-Pitirross.

Sidru aħmar, wieqaf, wieqaf,
jgħanni jtektek kullimkien,
jikkapparra post fl-imsaġar,
fuq l-għoljiet u fil-widien.

Postu jieħu qalb ħarruba
jew xi siġra tar-rummien,
ħadd ma jersaq lejn għamajru
għax jiġġieled daqs qalbien.

Tfajjel ċkejken kont nonsoblu
sabiex naqbdu bit-trabokk,
ġieli qbadtu ġieli ħarab
minn ġox-xibka għal fuq zokk.

Kelli tapp tal-luminata
b’musmar iebes ta’ l-azzar,
kont norbothom b’lastku safra
intektiklu qalb iż-żahar.

Kelli wkoll żewġ soldi lesti
inrikkibhom fuq xulxin,
b’subgħa wieħed w imbagħad bl-ieħor
inċekċiklu fl-istess hin.

Kien jismagħni w jweġibni
jiġi ħdejja jaqbeż tnejn,
jagħmel mixja jerġa’ jaqbeż
jara l-ħsejjes ġejjin mnejn.

Jekk jintebaħ dlonk bill-mansab
jerġa’ jitlaq lejn fejn kien,
jibqa’ jgħasses, jibqa’ jżebbeġ,
waqt li jgħanni ġewwa l-ġnien.

Hekk irridu jibqa’ jgħanni
jimla ’l artna bis-serħan.
Kemm fl-għelieqi w fil-kampanja
ħieles jiġri jtir ferħan.

Jiena bħalu nibqa' ngħanni
kemm bil-maħżeż u l-ilsien.
Flimkien ngħannu nwasslu t-tama
lil min tilef il-ħelsien.

Raymond Grech

Monday, September 26, 2011

The Maltese Poets Association joins the rest of the world to promote Peace and Sustainability through poetry

Patrick Sammut, vice-president of the MPA, reading his poem

The official poster for the Poetry Reading in Malta, B'Kara

Poet and MPA member Therese Pace

MPA President, Alfred Massa

MPA Secretary, Charles Magro

Poets, singers and musicians who participated
in the International Poetry Evening

Malta, through the collaboration of the Maltese Poets Association, (MPA) joined hundreds of other cities all over the world, yesterday, Saturday, 24th September 2011, in relation to the “100 Thousand Poets for Change” project which this year had PEACE AND SUSTAINABILITY as its main theme.

Members of the MPA and the public in general met at 7 p.m. at the Main Hall in B’Kara Local Council where the event took place. MPA’s Secretary, Charles Magro, compered, while MPA’s President, Alfred Massa, made his habitual opening speech regarding the role of poetry and the poet in today’s society, emphasising his role as prophet and pulse of the common people. Massa remembered those present the importance of such an evening where Malta was taking part in a worldwide event promoting Peace and Sustainability. On the other hand, Magro insisted on the political role of the poet and this was strong in poems read throughout yesterday’s evening in B’Kara.

Poets of different sex and ages read their verse, and themes varied from today’s Palestine dramatic situation, to war, Japan’s national crises, famine, refugees fleeing war and death, the nuclear threat, terrorism and even animal cruelty, but also peace, the need for true democracy, and brotherhood between people of different cultures and religions.

The evening was also provided with live music, with pieces such as John Lennon’s Imagine, Pink Floyd’s The Gunner’s Dream and Pete Seeger’s Where Have All the Flowers Gone. All this to Miriam Ellul, MPA’s PRO and her family.

The co-ordinator for such event in Malta, MPA member Therese Pace, will be downloading poems read and related photos on the official website: http://www.bigbridge.org/100thousandpoetsforchange/?cat=581 and www.100TPC.org . Other reports and photos can be seen on the MPA’s official site: www.ghpm.blogspot.com .

Sunday, September 25, 2011

Venafro - Presentato il nuovo libro di Iannacone

Nella foto: Lombardi, Napolitano, Impinto, Iannacone e Cervo.


L'autore e poeta, Amerigo Iannacone.

La copertina del nuovo libro di Iannacone, Matrioska e altri racconti.

È stato presentato sabato scorso a Venafro il nuovo libro –uscito dalla tipografia solo pochi giorni fa – dello scrittore Amerigo Iannacone, il cui titolo è “Matrioska e altri racconti” (ed. Eva, Venafro 2011, pp. 88, € 8,00).

Di notevole spessore gli interventi dei relatori Giuseppe Napolitano, poeta e operatore culturale, prefatore del libro, Aldo Cervo, scrittore e critico letterario, Daniele Lombardi, scrittore. Coordinatrice Luisa Impinto, che ha fatto anche un interessante intervento critico sul libro.

«Possiamo leggere “Matrioska”, il primo racconto, – ha detto tra l’altro Napolitano – come emblematico dell’intera raccolta. Molto efficace appare l’incastro di una situazione in un’altra e in un’altra dimensione (quella onirica) che a sua volta ne schiude un’altra ancora... Ancor più rimarchevole è lo scivolare continuo del reale nell’irreale (inteso come sogno: reale e surreale d’altronde è una dicotomia alla quale siamo già abituati, nella recente produzione narrativa di Amerigo Iannacone). È un modus operandi che troviamo in altri testi, oltre “Matrioska”, è una maniera di accen­dere (e spegnere) continuamente l’attenzione (o richiamarla altrove per non lasciare che troppo si esalti o si distragga)».

Ampio e puntuale l’intervento di Daniele Lombardi, di cui riportiamo un breve stralcio: «I racconti lasciano delle domande insolute, una punta di amaro, una sensazione "fastidiosa" come quella che prova il giornalista Valente prima di entrare davanti alla porta del dottor Morton (nomen omen) o il protagonista del racconto Matrioska al risveglio dai suoi incubi. Ma è una scrittura intrigante, che coinvolge il lettore e lo trascina a volte nelle atmosfere dai grandi romanzi gotici dell'ottocento. La voragine che si apre nel pavimento e inghiotte il protagonista a me ha ricordato "Il crollo della casa degli Usher" di Edgar Allan Poe e il dottor Morton che abita in Rue Morgue 33 non è un chiarissimo riferimento a i delitti della Via Morgue" dello stesso autore?»

«È simbolismo quello che si coglie nell’ultima silloge di racconti di Amerigo Iannacone. – Sono parole di Aldo Cervo – Attenzione però! Non è da credere che lo scrittore molisano di Venafro sia nuovo a tale genere di registro linguistico-espressivo. Le sue “Cronache reali e surreali” e la stessa raccolta di fiabe: “Il paese a rovescio”, ne sono eloquenti spie. Nel presente lavoro tuttavia il simbolismo s’incupisce, dando luogo a trame oniriche che sconcertano il lettore, fatte – come sono – di strane metamorfosi, evocazioni trans materiali, immaginifiche sembianze, come negli stati deliranti delle febbri alte».

Presente in sala un pubblico qualificato, tra cui poeti (Maria Benedetta Cerro, Filippo De Angelis, Maria Giusti), scrittori (Antonio De Angelis, Maurizio Zambardi), artisti (Ugo Martino).

Una nuova presentazione del libro si terrà domenica 2 ottobre, ore 18, a Formia, nella Libreria di Margherita, Via Rubino 42, nel corso di una serata in cui saranno presentati anche i nuovi libri di Giuseppe Napolitano, Leone D’Ambrosio e Pasquale Cominale e che si inquadra in un vasto programma di incontri letterari che va sotto sotto il titolo “La domenica qui”.

«Matrioska, raccolta di diciassette racconti di Amerigo Iannacone, – Scrive in una nota Maria Stella Rossi – conferma, consolida e nello stesso tempo approfondisce i temi ricorrenti della sua poetica, ampiamente scandagliata.

Tutto vira verso il surreale, all’assurdo in stile Jonescu e si tinge dei toni della narrativa noir.

Il déjà-vu, la scelta di piú piani narrativi, le conclusioni spiazzanti, l’ironia, espressione cercata per esprimere amare riflessioni, rendono i racconti insoliti e particolari.

La parola sogno è ricorrente, ma non ha nulla di consolatorio in quanto è sopraffatta da angoscia e da trasalimenti.

Vana è la ricerca di spiegare gli accadimenti della vita perché questa è bizzarra, strana, difficile da inquadrare.

Il dialogo interiore è intransigente, prova a chiarire e a dipanare la matassa ingarbugliata delle azioni umane, spesso banali, irrisolte, ineluttabili.

Sogno e realtà si miscelano in una pozione stordente. Si sovrappongono e quasi non tracciano confini.

La conclusione l’affidiamo alle parole dello scrittore che in corner salva il salvabile “Sogni e speranze sempre regolarmente delusi, certo. Scelte sbagliate? Sí, certo. Tante. Tutte, direi. Ma forse valeva la pena di vivere anche gli errori.”(‘In attesa del nulla”).

La morte, le delusioni, il tempo e i suoi inganni, il destino assurdo dell’uomo, che riconosce troppo tardi i cardini fondamentali dell’esistenza, hanno un momento di riscatto che avviene tramite la scrittura. È il racconto della vita piú che la vita stessa a salvarla dal nulla.

Vedi anche link: http://amerigoiannacone.wordpress.com/

Friday, September 23, 2011

Patrick Sammut’s book of verse Beyond-Oltre-Lil Hinn (2009, Malta)


A review by K.K.SRIVASTAVA

“I am the pen, you are the ink-well

Together we will walk on the earthly tale……”

From- Together We’ll Walk On

When you take up a review of a book for which no request has come to you, one thing you can be sure of is that the review of the said book will be unbiased and not guided by personal biases and considerations. Patrick Sammut, a poet and writer of great distinction, who is the Vice-President of the Maltese Poetry Society, has been rendering great service to literature and mankind through his creative musings. He writes poetry in Maltese, English and Italian. I have had an opportunity to read his book of verse Beyond-Oltre-Lil Hinn, a collection of poems written in English, Italian, Romanian, French, Spanish, Portuguese, Greek, Dutch, and Esperanto. As I could read and understand only poems in English, my review is confined to these poems which touch on varied facets of life that necessarily carries with it experiences of different hues.

Revelations through these poems reflect on throbbing fullness that life is but that fullness has it’s own scheme of dispersal that is left to every individual to decipher, understand, grapple with and finally to go with or without these dispersals with subsequent consequences. Patrick, aware of such a scheme of things that exists in the cosmos and not baffled by conflicts of existence of an individual, tries through his poems to weave together contradictions and paradoxes contained in such a scheme.

Some of his poems seem to be elliptical memoir poems mixing pleasure with pain. One of the striking qualities of these poems is attention by the poet to the minute details surrounding him and use of rich, intense imageries. A few examples follow:

“my mind’s eye wanders over the immense valley plains

and, lost in the horizon, unites itself…’

Here, he is confronted by his “whole being” which feels “free as the mist that clothes the dawn.” Such a rich imagery is a rarity in poetry of the present era. His imagery tackles all demands normally placed on a poet and still emerges unscathed.

From- Recollections of Assisi


Or as in Perhaps Once Again:

“that deceitful nightmarish voyage that offers-

joys and tears

strength and frailty

memories and amnesia….”

In his very touching poem A Son’s Lament, he seeks “a satisfying answer” to blankness of space the overwhelming of which is to be seen against “happiness, into oblivion lost” and “clouds of illness and solitude extreme.”

“In silence I sob…..

Sharp piercing cries have no significance or place.

Around in vain I turn, where blackness overwhelms,

for a satisfying answer in blank space…”

In another touching poem, Solid, we are immediately transported to vividly realized scene where the poet has, as all true lovers do, to convince his beloved. The eternity of a single moment is important. Between today and tomorrow lie arrays of suffocating moments that test the lover incisively.

“You call me Forgranted

Say that I still don’t know who you are

And for this I bleed in secret.

………………………………………………….

……………………………………………………

I look at tomorrow

And trust that one day


I’d understand you, in and out,

and trust much more that, one day,

you’d understand that my love for you

seems not

but is solid true.”


There are definite questions in this collection that keep resonating; in search of answers which readers might either seek in the verses or seek within. Patrick’s writings reveal skills, are careful and unforgettable. Poems are original, exhibiting artistic excellence. The past for Patrick is not the past that is vanished. Past raises a variety of concerns. Past gives him a pause. And that pause causes him to reflect on larger concerns of life and its movements. Use of rhyme to give a shape to poems is unique. The best way to summarize his poems is to put an extract from the Introduction to Beyond-Oltre-Lil Hinn that Agnes Lam from Hong Kong pens succinctly:

“His poetry is like him - sensitive, all-inclusive, caring and passionate... At the very core of his work is this sensitivity to human suffering and the meditation on the value of life in quietness, a quietness so distilled that it requires emotional stillness... Patrick Sammut’s voice in his poetry is essentially one that urges peace and love in all its forms…”

I personally find Patrick’s poems are firmly grounded in the mastery of craft. Poems read either as a single poem or as a body of work open a plethora of possibilities and asymmetries in which readers are allowed the freedom to open their doors of perception, wallow in imaginative speculations and finally explore the roots of literary imagination. It is the vision and not mere circumstance that shapes his poems.

About the Reviewer:

K.K. Srivastava lives in INDIA, has written two books of poems—Ineluctable Stillness (2005) and An Armless Hand Writes (2008). His third book of poems is expected early 2012.

He can be reached at kksrivastava_ran@yahoo.com


Thursday, September 22, 2011

UNEASY RITUALS - New publication by Patrick Sammut

WELCOME TO ONE SPECIAL NICHE

Short-story writing in Maltese is an exquisite experience for both the author and the reader. The language, as unique and challenging as it really is, lends itself magnificently to the genre, probably surpassed only by poetry which, as we know, provokes the highest literary elocution in the Semetic family of languages to which our National Language belongs.

However, it is no easy task to capture its spirit and nuance in translation, more so when introduced to an Anglo-Saxon linguistic ambience. Thankfully enough, Patrick Sammut’s forceful works, enriched by a strong vocabulary and a highly-committed style of presentation, found in Alfred Palma the precise, often patient translator who excels in both languages, and what you have in your hands is one special niche dedicated to modern Maltese Literature.

This is not the first time original Maltese Language works have been reproduced in English. Our national poet, Dun Karm, and several other Maltese writers and poets have had their works translated into English in what has been a commendable and fruitful exercise at displaying some of the best fare produced for our minuscule, yet throbbing literary market.

Patrick Sammut belongs to the new generation of young writers and poets who have gradually and successfully managed to cross the all-important bridge connecting the earlier Sixties generation to their pre-Wold War II predecessors. His commitment to Maltese literature has seen him establishing himself as not only a respected writer and poet, but also as a top-class literary critic whose works have become standard reference to anyone seeking to study or further analyse the development of modern Maltese Literature by way of the various generations that have come up during the past half century.

These short stories continue to underline Sammut’s linguistic prowess even when set against a massive creative background. He has put together an anthology that both entices and entertains. He gives a scholarly touch to what ever he writes – the teacher in him? – but still somehow manages to steer clear from the overtly academic that sometimes can dampen or anchor an otherwise good work.

Sammut’s frequent use of the first person is an elaborate piece of style, giving it authenticity and impact when least likely. His subject matter is wide and varied, his judgemental (again the teacher in him) attitude amply made up for by an unselfish and open-minded approach to all his characters and storylines. There is a keen sense of optimism, some would describe it as an acute sense of good feeling, in his work even in the worst scenarios of the stories.

This anthology provides the calm to every personal or third-party storm in the stories. Sammut is soothing and eager to please, his stories fun, his creativity sometimes predictable but still highly captivating. It makes of him the visibly mature author with something to say, unembarrassed to do so and seemingly determined to show it can be done minus the vulgarities and sensationalisms of some recent Maltese Language publications by authors of Sammut’s age and younger.

To have them produced and packaged in international mode, courtesy the English Language, is a joyous occasion for Maltese literary creativity and another welcome salvo from Patrick Sammut the man, the teacher, the critic, the poet and the innate story-teller.

Charles Flores, Sliema, MALTA

Wednesday, September 21, 2011

International Poetry Reading by Maltese Poets Association

The Maltese Poets Association is holding an International Poetry Evening on Saturday, 24 th September, 2011, at 7 p.m. The venue chosen is B'Kara Local Council. This poetry evening will be part of an international initiative called 100,000 Poets for Change and the theme chosen is
Peace and Sustainability.

Everybody is invited to take part by reading his poetry in any language. Entrance is free.

Another Peace Poem from India

Dr. T. Ashok Chakravarthy, D.Lit.,
www.worldpeacepoetry.com

INTERNATIONAL DAY OF PEACE - 21st September

THE PEACE IS NOT EASY

In spite of hard times
we must celebrate peace,
so that the leaders of world power
don't seize control of wars everywhere.
In the lobbies of palaces, especially of capitols
let's remove self service and greed
and let cadavers demostrate
the necessity of saving the world
for the ones who are still alive.

TERESINKA PEREIRA